Wednesday 2 March 2011

Dead Souls And Dark Alleys - bela lugosi, boris karloff


These represent the Universal films outside the "Dracula" and "Frankenstein" franchises that starred Bela Lugosi--or more accurately, Karloff and Lugosi in all but one. Once Karloff entered the Universal scene a few months after "Dracula" (1931) and created such a hit with the Frankenstein monster--eclipsing Lugosi's Dracula, the studio wasn't keen to feature Lugosi as their horror star any longer: very ungrateful of them. So it leaves a "Lugosi Collection" from Universal largely as pairings with Karloff. "Murders in the Rue Morgue" (1932) is exclusively a Lugosi vehicle. In "The Black Cat" (1934), the two are matched. Lugosi dominates in "The Raven" (1935), while "The Invisible Ray" (1936) is more a Karloff vehicle. "Black Friday' (1940), by far the weakest film, shouldn't be here at all, as Lugosi only has a small role.



Since others have already spoken at length about the films, and since most people buying this two-sided disc know what they're getting, I want to address the DVD mastering problems experienced. Many have noted that, regardless of player, films on the disc pixelate and freeze at random points. This is a problem with Universal's DVD-18 mastering process, which has flaws that have since caused Universal to return to their earlier, more reliable DVD-9 process.



In the meantime, both this disc and the 2-DVD "The Hammer Horror Series" have more than their share of bad discs. Contacting Universal itself will serve no purpose: even though they are aware of the problem, the pressings are out there and are not being remastered. You just have to be persistent and keep exchanging defective copies at retailers--even if you have to get a refund and start again with another dealer; the films are worth it. Eventually, you *will* get one without glitches. It took me three copies from two places for both this and "The Hammer Horror Series." Importantly, you don't have to play through all the films in real time to know if you have a flawed copy: just scan through the films in the player at 4x-10x speed (no faster), and if there is a glitch, the player will freeze at the spot. That way, you don't have to watch through eight 90-minute movies on every copy you try out; it will take only 10% of the time to check the set, and you don't even have to be in the room. If you come back and the image is frozen, rather than having finished the film being scanned and having returned to the menu, then you have a bad one. The Bela Lugosi Collection (Murders in the Rue Morgue / The Black Cat / The Raven / The Invisible Ray / Black Friday)

I have enjoyed the well-priced Universal Legacy Collections featuring their classic monster films of the 30s and 40s and have been waiting and hoping for them to release the balance of their classic horror titles. This DVD collection is the one I have been wishing for. Now I will finally have two of my favorite horror films of the 1930s, "The Black Cat" and "The Raven," on DVD.



As much as I am delighted by this set I find it an interesting and somewhat sad chronicle of Lugosi's early film career. The disc features an early 30s film following his success in "Dracula" where he is the main star ("Murders in the Rue Morgue" 1932), two films which team him in a role of equal stature with his rival, Boris Karloff ("The Black Cat" and "The Raven," 1934 and 35 respectively), a film which exploited the marquee value of his name but gave him a more minor role ("The Invisible Ray" 1937), and, finally, a film which saw him slip into a rather demeaning supporting role ("Black Friday" 1940) beside his old equal, Karloff.



Within eight years Lugosi had gone from full-fledged leading man to supporting actor. It must have compounded matters for Lugosi to have Karloff continue to receive leading roles while he was reduced to small supporting roles in Karloff's films. The duo would work again in 1945 in RKO's "The Body Snatchers" where Lugosi, again, played a minor role opposite Karloff's much meatier portrayal. Lugosi's career was on a steady downward slide by this point (with few exceptions like "Abbott and Costello Meet Frankenstein") and would continue to decline through the next decade until his death in the mid-1950s.



The best part of this collection are the earliest films (pre-1937) which represent Universal's golden age of horror. This era saw the original "Dracula" (1931), "Frankenstein" (1931), "The Invisible Man" (1933), and Universal's masterpiece "Bride of Frankenstein" (1935). In the early 30s Universal was a studio committed to making quality horror films. In fact, these horror films saved Universal from certain bankruptcy in the dark days of the Great Depression (Abbott and Costello and Deanna Durbin would do the same for the studio ten years later). With the support of Carl Leammle, Jr. they produced A films with good scripts, good directors (Tod Browning, James Whale, etc.), moody sets and photography, amazing makeup by Jack Pierce, and wonderful casts.



As mentioned earlier, "The Black Cat" and "The Raven" are the two films I will enjoy most on this set and they alone are well worth the $20 dollar price tag. Both films take their titles from the works of Edgar Allen Poe but, unlike "Murders in the Rue Morgue," that is where the connection ends. "The Black Cat" is a pre-code tale of revenge and Satanism set in a spectacular art deco mansion built on the site of a bloody World War I battlefield. Lugosi and Karloff are bitter enemies who meet for one final battle of wits. "The Raven" sees Lugosi as a demented, Poe loving, plastic surgeon who disfigures Karloff and blackmails him into aiding him in a plot to punish a woman who has scorned him. Both films are perfect vehicles for their two stars and represent the well-mounted, quality horror product Universal became famous for.

First of all, I will say right now I am a fan of Universal's classic horror product including their B-movies of the 40s as well as a lifelong Lugosi fan. I am also very happy Universal chose to release this collection containing some of their best titles of the 30s ("The Black Cat" and "The Raven" being the best on this set) and some of Bela Lugosi's best work on film. Unfortunately, I have mixed feelings about this set. Let me go over the collection:



THE FILMS THEMSELVES:

Not a hint of restoration on any of the films. This to me is a huge disappointment. As far as I know Universal made no claims of restoration so they have not falsely advertised or anything. I guess I am just so spoiled by Warner's classic releases which always seem to be restored and remastered.



The prints don't look horrendous or anything but they could have looked spectacular. The prints they used to make this collection are probably what they show in syndication (like you'd be likely to see on TCM). There is a lot of graininess in all of the films. "The Raven" even has some blotchiness (like dirt on the print) in some early scenes. You can also see lots of scratches all over the place.



If MGM can take a film like "The Ghoul" that was once considered lost and make it look brand new then Universal could have invested some cash in restoring these classic horror films. They did a much better job with their Monster Legacy Collections. I am surprised they put no effort into this set. These are some of the most famous films they ever made!



P.S.: I strongly advise old-time horror fans to buy "The Ghoul". Great film, great restoration.



THE EXTRAS:

All I can say to describe the extras in this collection is threadbare. All you get are some battered old trailers. They don't even have a trailer for every film! Glaringly omitted is the famous trailer for "The Black Cat". This is the one that had specially shot footage of Karloff and Lugosi in which they refer to each other as "Dracula" and "Frankenstein". I have seen this trailer on AMC and TCM, it could have easily been included.



Worst of all there is no featurette. Couldn't they have included even a little 10 or 15 minute feature to honor Lugosi?



PACKAGING:

I actually like the packaging here. There is a nice outer cardboard box that an inner cardboard holder fits into (similar to Warner's "Citizen Kane", "Casablanca", and "Adventures of Robin Hood" releases). In typical Universal style there is only one double-sided disk. I have read a lot of complaints on Amazon about shoddy disks from Universal. I have never encountered one yet (knock on wood) and this disk played well for me.



BOTTOM LINE:

If you have been wanting these films since you got a DVD player, like me, then I would suggest getting this set ASAP. You can't lose considering the price. If you want these films restored and looking their best then wait until the day Universal offers up new releases of restored and remastered prints of them. Who knows when that day will come?



I would give the films on this set 5 stars but can only give this specific release 3 stars. - Bela Lugosi - Universal Monsters - Boris Karloff - Horror'


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