Interweave Press just sent me a preview copy of this fantastic new book-with-DVD by Lisa Niven Kelly. I was very curious to see what the artist/author had to say about the technique of stamping letters and symbols into metal, especially since it seems such a simple, straightforward process that hardly merits coverage in a 136-page book.
I just love it when my initial impressions are proved wrong... that means I've learned something new, and I love to learn! The contents of Stamped Metal Jewelry (SMJ) go far beyond what the title suggests. Besides providing 19 metal and mixed-media jewelry projects, a brief but inspiring gallery of stamped jewelry, resources, and a tools/materials section, this book does a very good job of laying out the basics of beginning metalsmithing and wirework. For this reason alone, I feel confident recommending SMJ to novice jewelry artists seeking instruction in these areas.
First, let me comment on the tools section: very thorough, well done, informative, important information is conveyed here. Experienced jewelry artists may feel that this chapter can be skipped, but I suggest having a look anyway--some interesting tools are discussed that may be unfamiliar to you. Consider the fun texture hammers and large wrap-n-tap pliers on page 12, tube-cutting pliers on the following page, hole-punch pliers, scribe, bracelet bending pliers, sanding sticks, and leather-working tools.
Now on to my favorite chapter segments: Basic Metalsmithing Techniques. The author addresses hammering and texturing first, suggesting the use of metal stamps for adding texture to metal besides the obvious usage of adding text or designs. She discusses using a riveting hammer and the ball end of a chasing hammer to create texture, and using hard metal objects and a brass-head hammer to forge textured designs into soft metal sheet.
Cutting and sawing metal (with a helpful blade-size guide) take up one page; hole punching and drilling (with another helpful guide: drill bits), how to dap (doming metal shapes), and riveting follow. I love the riveting section because the author carefully describes forming wire rivets, nail-head rivets, and tube rivets, with big photos making every step crystal-clear.
The metalsmithing section concludes with a discussion of oxidizing and polishing methods and annealing (softening metal with heat). If you read the book carefully up through page 31 and practice all the techniques presented, you will be well on your way to becoming an informed metal jewelry artist.
The "main event" follows: six pages devoted to stamping text and designs into metal. Lisa has been perfecting this skill for years, so naturally she has a few things to say about safety, work station set-up, the basics of stamping (alignment, centering, stamping with design stamps, and the author's own tilt-n-tap method--also demoed on the DVD).
That's the heart of the book, really, and if you read it carefully and follow the author's instructions, you can immediately start stamping metal with confidence. But we're just getting started: page 38 begins the projects section, with 19 jewelry designs from simple to more complex and challenging. Once you stamp a simple pendant, you'll be ready to try making an I.D. bracelet, stamped pre-fab rings, linked bracelets and bangles, stamped and riveted rings, a really cool textured metal pendant framed with coiled wire and beads, a leather cuff, and much more.
I really appreciate the author's inclusion of work from other designers such as Kriss Silva, Janice Berkebile, Lisa Claxton, Kate Ferrant Richbourg, Tracy Stanley, and Connie Fox. These artists contributed some unique ideas and jewelry projects you may recognize from the workshops they teach at bead events across the US, such as Janice's famed "Crown Jewel" pendant.
A short gallery and two pages of wirework basics finish the book, which is indexed. But wait--there's more! A 33-minute instructional DVD accompanies SMJ, featuring the author as she goes over the use of tools, basic stamping techniques, tilt-n-tap (very helpful!), and a bonus jewelry project not included in the book. You don't want to miss it. Although Lisa has covered her subject with great care in her book, sometimes seeing the basic techniques in action can really help make everything more clear. Be sure to watch the DVD, practice the basic techniques demonstrated, and you're ready to make beautiful jewelry using wire, sheet metal, leather, rivets, and more.
Sharilyn Miller, author of Contemporary Copper Jewelry
Stamped Metal Jewelry: Creative Techniques and Designs for Making Custom JewelryStamped Metal Jewelry
CREATIVE TECHNIQUES & DESIGNS FOR MAKING CUSTOM JEWELRY
by Lisa Niven Kelly
creator of Beaducation
Way back, when I was first teaching myself how to make jewelry with a few books and a lot of assistance from online sources, I came across Lisa Niven Kelly on the internet. She hadn't even established her fantastically popular online store yet.
I remember when Lisa had two famous projects: her super pretty wide cuff, and her stamped bangle with a clasp. I fell in love with both of them. I went to my husband Jim and BEGGED him to get me these projects (which were sold as kits with printed out instructions, at the time) plus all the tools, and everything I would need, so I could learn from my heroine, Lisa Niven Kelly. Those kits and tools were what I received for Christmas that year! It was a whole new world for me!
I am delighted to be able to review this wonderful book and DVD, as Lisa Niven Kelly remains the resident All Star at teaching stamping combined with certain kinds or wire work in jewelry design. I continue to be one of her loyal followers. She never quits devising new fantastic creations for us to want to make! Many of them are offered in this fine new book!
Therefore to have a hard copy book available of her careful yet assertive manner of teaching is a pleasure. To have these new projects to try is a total joy!
All the little things I might have forgotten, or wanted to know and never got the chance to learn from the author, are in here. On the 35 minute DVD, which has two projects, there are some great examples of some of her tips. One is how to center a word properly when you stamp. Another good one is how to stamp with a decorative stamp, which is more difficult than a letter of the alphabet, and make it come out completely perfect. I watched the DVD very closely and learned a lot. It is definitely a worthwhile addition to the book.
The author stresses that you practice, first, on copper blanks or with copper wire so that you don't waste good money on sterling silver. She also explains safety precautions very clearly in the book and on the DVD, particularly when you are oxidizing.
The introduction conveys her excitement at being able to share all her years of experience with the reader. She explains how "compatible" stamping is with other forms of wire work. She explains that within the book you will learn how to rivet, hammer,and dapp, as well as stamp, and that the stamping "adds that little extra something that makes your design special and truly personal".
I agree! The very first "say it on your wrist" bangle I made said "The Ruse" on it. It had a few spiral designs, and a clasp. The Ruse is the name of my son's band. I gave it to his girlfriend, who is now his wife. Wherever she wore it, all her friends would comment on it and ask her how to get one. These bangles thoroughly convey your thoughts, when you make one. When you yourself learn to stamp, your love of what you are doing will be expressed in such a great manner!
The projects in the book are very flexible and so pretty! It is wonderful to learn to control a hammer properly and gives the reader a sense of empowerment when creating jewelry, as well. I find it to be like meditation, and enjoy feeling strong as I make stamped jewelry. I think it is cool, yet feminine to be able to do this well.
In Stamped Metal Jewelry, I particularly like the textured metal pendant. As an introduction to this lovely piece, the author comes right out and says, "This project appeals to sculptural wire fans who like very few rules". I am certainly drawn to that observation!Additionally, well made, sturdy jewelry is a must in my opinion, and the author always delivers the goods on sturdiness! This piece is terrific and unique. You will love it.
Another piece the reader will love is Lisa's friend's, Tracy Stanly's, "Simply Charming" charm bracelet. It includes instructions on how to make the graceful links which hold together the actual bracelet, and all the stamped pieces which make up the charms, plus an assortment of beads to mix up textures and lengths. It is a good example of another stamper's fabulous style.
At the end of the project, which is very well photographed, there is a section called, "Charmed, I'm sure!" which gives further inspiration on popular charm bracelet themes. The ideas are all excellent. They will bolster your enthusiasm in your ongoing work on a particular charm bracelet you are making.
I like the very clear techniques posted next to each each project as well.
I also love the "make it your own" posts the author offers after the very clear step out photos which show how to make each project.
If you have never heard of Lisa Niven Kelly, and you think you would like to try stamping, you have come to the right place. She is the expert's expert. This is a fine way to learn from her. This book, Stamped Metal Jewelry, creative techniques and designs for making custom jewelry, with its accompanying DVD, is totally wonderful. Short of taking a class at a bead show with the author, which is impossible for many of us, we have it all right here. Lisa Niven Kelly has real talent and she shares it willingly and abundantly with the reader. She also has included a beautiful gallery at the end of the book of inspirational work from her friends. I am thrilled with this book! - Jewelry Design - How To - Metalsmithing - Jewelry Making'
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