When Little Big Man was first published during the 1960s it was the culmination and a spin-off from a series of events. Old men in geriatric homes throughout the US were claiming to be the 'real' John Wilkes Booth, Jesse James, Billy the Kid and other notorious figures in the history of the American west. Berger created a spin-off character, Jack Crabbe, who claimed to be none of these, but managed to be present for a surprising number of pivotal events of the 19th Century. He also claimed to know many of the characters involved, including Sitting Bull, Wild Bill Hickock, Calamity Jane, Wyatt Earp and his brothers, Bat Masterson, George Armstrong Custer and others.
In addition to being a great read and informative piece of historical fiction, this novel became a model for the anti-hero of a number of other historical fiction series and works. The most notable of these is the George MacDonald Frazer, Flashman books.
Berger has done a signal job of turning over the rocks of history, finding twists and turns normally not part of the legends, and weaving them into a character and plot unsurpassed in American historical fiction. Little Big Man
Like many others who reviewed this book, I first read it (in high school) after seeing the movie. The movie was a real eye opener for me, for the first time giving me a sense of Indians as real people, struggling to stay themselves and maintain their way of life against the relentless & overwhelming campaign of conquest, destruction & genocide by Whites. It inspired me to read this book, which I found to far surpass in richness, character development and detail what I had thought to be an excellent movie. After reading it the first time I think I read it annually for the next ten years, and several more times since. Each time it has moved me to laughter, anger, and without fail tears at the end. I can't begin to do it justice, even trying gives me "...a pain between my ears..." and some of the reader reviews have already done a fine job of describing it. There's just a couple of points I'd like to add. Jack Crabb has always reminded me Huckleberry Finn. Through close personnal experience, each character evolves in his understanding and appreciation of a race he'd been raised to believe inherently inferior to whites (Jack Crabb's rearing by Indians does not begin till his tenth year). Niether Jack nor Huck are saints who always "knew better". Along the way, both struggle with feelings of doubt, guilt & shame when they find themslves favoring the Indians or Blacks over Whites. Both think badly of themselves for doing so. Like Mark Twain, Thomas Berger puts us into the head of a White male who struggles with the conflict between his own experience and the stereotypes he'd been raised on and which shape the White society of his time. Both books are marvels of insight into human nature. "Little Big Man" goes further in brighing alive actual historical events Jack experiences first hand. Read the history book by Dee Brown, "Bury My Heart At Wounded Knee" to afirm how well Thomas Berger captured and related such notorius events as the Washita massacre and the Battle at the Little Big Horn. My other point to new readers is to be sure and read the Forward, which is actually part of the novel and provides valuable background and insight into Jack's character and wisdom. Enjoy.
Long before Micheal Blake's politically correct tome "Dances With Wolves" gave voice to other side of the American West, Thomas Berger wrote the expertly crafted, humourous, tragic and down right entertaining "Little Big Man". Written in 1965, when it was still fashionable to portray the Native American as a "in the way savage", Berger deftly blended the genres of tall tale and history in a manner that really has yet to be matched.The character of Jack Crabb is cut of classic cloth. His story may very well be pure hogwash, but it is filled with touching humanity that underpins all the comedy. Berger portrays The Cheyenne people, or the "Human Beings" as possessing many of the same foibles and warts as their European counterparts. They are not painted as noble savages as in Blake's new agey work, but rather as complex characters deserving of respect and honor.Berger's General Custer is a wry study of madness that somehow avoids cynicism. One of this book's many virtues lies in its ability to lend the Western myth a critical eye, while avoiding the nihilistic pessimism that frequently goes hand in hand with such work (something the film version couldn't avoid)."Little Big Man" is a must read to all who love good yarns spun with a big heart and a bigger mind.
After becoming mildly obsessed with the film version, I had to read the book and so glad I did. There are some startling and wonderful differences between the versions - the book triumphs. Berger's writing style brilliantly aids the imagination in creating a breathtaking backdrop. The dialog evokes gut-busting laughter and the most sincere sobs. The detailing of each character and setting leaves the reader truly wondering if this is an actual biography or fiction work. Jack Crabb, his fellow "Human Beings", his adopted white family, his long-lost niece, his white wife, his Cheyenne wife, become nearly touchable and all are loveable. Life is short, money is as scarce as spare time. This book and the time it will take to read it are surely worth the expenditure. So treat yourself to this classic.
I was pretty much hooked by the narrator's first words: "I'm a white man and never forget it" (followed by "but I was brought up by Cheyenne from the age of ten"). A few paragraphs later: "I never suspected it at the time, being just a young boy, but I realize now that my Pa was a lunatic," and I was a complete goner.
Little Big Man is an extremely humorous novel of the American west, wonderfully narrated in a breezy, informal style, peppered with humorous colloquialisms and directness, reminiscent of Huckleberry Finn, by the 111 year old Jack Crabb, a (so he claims) surviver (and the sole survivor) of Custer's last stand.
But it's also touching and heartbreaking at times, and with tension as he rides with Custer to the Little Big Horn.
As Crabb recounts his life, moving between the white man's world and that of the Indians, stopping at many stations along the way in the kaleidescopic West, we are often given a detailed pictured of what various aspects of life were like back then. From what it's like eating dog in the tepee to Hickcock's advice on gunfighting, to the traveling snake oil salesman and his occupational risks.
In this way also it's much like the Last of the Mohicans, giving an inside view, hopefully a researched, accurate one, of the frontier to those of us safely and comfortably ensconced at home in greater civilization.
Definitely high in the echelon of American novels I've read. - Native American - Western - Dark Comedy - Cult Western'
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