I was disappointed in this, I had the first edition of this book and was jazzed up to dig into the new edition with all it's HD information. Sadly, after looking the book over quickly, I found there just wasn't enough information there compared to the previous edition to justify the purchase price; it's edition one reprinted in a different page format with some very minor HD sections spliced in. If you have the first edition, save your money - it's basically the same book with only a chapter or two of new information that's extremely general. I wanted more. Sorry Barry. Video Shooter, Second Edition: Storytelling with HD Cameras
"Video Shooter", 2nd edition, is an indispensable tool for filmmakers. Richly infused with feeling and experience as well as abundant information, tips, and procedures, it reads quickly, covering a wide ambit, a veritable film school in less than 300 pages with a consistent emphasis on what the author calls "the craft of ingenuity". As a production manager for feature films, I can see that this is one of a few books I'd like to keep carrying with me on the job.
On the surface, the book is a well thought-out and thorough professional manual, but it is also an entertainingly presented conversation with a seasoned master of the trade as he dispenses caring advice and lively support, fully cognizant of how swiftly changing technology challenges tomorrow's shooter, who is compelled to wear ever more hats.
It is clear that the author has his feet firmly planted in classic techniques and time tested theory, but he also evinces a great curiosity about and mastery of any and all camera tools that range from Christian Dior Diorissimo #4443 women's stockings (black color preferred) to the most recherché new digital tools that bombard gear magazines daily. I am looking forward to the companion websites to keep up with all the innovations through the author's accessible and clear reviews.
The reader travels not only the length and breadth of the craft of shooting and filmmaking but also across the world, vicariously experiencing everything from amusing anecdotal events to dramatic historical lessons and their impact on or from filmmaking.
You will be thankful for the balance between presenting a lot of trivia and technical facts while maintaining a good grasp of and eagle eye view of the fundamentals of becoming an accomplished shooter. The most important of which could be to connect and relate your story to all aspects of what you do in filmmaking.
The varied and interesting diagrams, concise and sometimes hilarious annotations, and film stills and photos from around the world are not your run-of-the-mill figures, and reflect a sense of humor that balances the ultra-technical and cutting-edge knowledge you are getting. The author seems to say, take your research seriously but don't take yourself too seriously.
When a master craftsman like the author shares their rich multi-decade experience; generously reveals itemized personal camera, lighting, and grip kit lists; enumerates helpful purchasing, maintenance, and care advisories; and shares a cornucopia of secrets and tips, the result is a treasure. But to make it all worthwhile, remember always the mantra: story, story, story!
Do you practice video voodoo? Can you make people disappear by simply inserting your latest video creation into some kind of media player? YOU NEED THIS BOOK!
Are you a serious shooter struggling to develop a practical grasp of a gazillion technical concepts? YOU NEED THIS BOOK!
From script to screen, Barry takes the reader/explorer on an entertaining tour of the visual storyteller's world. He even brings his kids along as his assistants! Nothing academic about his style, he is somehow able to translate complex concepts into page after page of "Oh yeah! Now I get it!"
If you read the first edition, don't just dismiss this as just an update of the first. Completely re-written, the second edition of Video Shooter retains the value of the first edition and builds upon it significantly.
First Edition was the basic roadmap for my creative journey as a videographer and digital cinematographer. I used to re-read it a couple of times a year as a yardstick of my growth as a storyteller. The Second Edition is like the master class, and it is the new yardstick.
If you're a novice shooter, get it and read it. Don't worry about the stuff you don't understand. Keep shooting. It'll make more sense the next time around. And, the voodoo will turn into magic as people start sticking around and genuinely appreciate your efforts. In time, they may even start asking you to shoot stuff for them (charge them).
Even if you've been at this for a while, get it and read it. You'll be glad you did (unless, of course, you already "know everything").
Thanks, Barry. It would be a much tougher journey without your help.
Like the title states, storytelling is the thrust of this book. Barry's knowledge in this field is encyclopedic, but his experience and insights are the most valuable ingredients here. His books (both the first edition and this 2nd with its timely updates) are like Bibles to me, invaluable as references, pored over constantly, dog-eared and bent, comfortable old friends along for the shoot, just in case you need a second opinion on what will become instinctual skills. All you have to do is read, absorb, then go out and practice! Imagine having this sage in your back pocket whenever you have a question, whether it's something simple like how to frame a shot, or something more technical, like time code or color balance, camera operation or mixed-format editing. Those things and more are all here, and if you've ever priced a one-day course in production at a trade school, it's cheap at twice the price.
Short version - YOU HAVE FOUND IT. YOUR ADVENTURE BEGINS TODAY.
Honestly, this is the one you've been looking for. You will not be disappointed. Barry is 'the guy'. - Digital Video - Video Production - Camcorder - Lighting'
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